ABOUT
KITCHEN WAY OF LIVING
There is a physical place that is also a place of the mind. Space of the soul, of thought and creativity.
Venice is our birthplace but also our inspiration. Here lives our tradition, which is also the best tradition of the made in Italy.
In Venice we work as craft industry in the project, construction and customisation of livable, functional kitchens and living areas.
Here we think the kitchen as heart of the home. The Zampieri house, where an organised, refined and technological kitchen communicates harmoniously with a highly customizable and trendy living room.
An aesthetic-functional continuum with attention to the smallest material and aesthetic details. A physical place but also a place of the mind. Our philosophy of living made in Venice.
FEATURES
CONTEMPORARY SCOPE
- Knowing what to do, knowing how to design
- Artisanal soul and industrial vision.
- Heart and work.
- Two souls, one design idea.
TECHNOLOGY, CRAFTSMANSHIP
Perfection lies in balance. For us, kitchen is a synonym for balance, between research, technology and craftsmanship, between innovation and visual identity, between care for manufacturing and creativity, between love for the subject and sartorial approach.
KITCHEN OPENS UP TO THE LIVING
- Harmony of the spaces
- The kitchen is a spatial continuum towards a living expressing new modularities, compositions, details. materials, finishes.
QUALITY CONTROL
Surpassing ourselves, surpassing standards. Excellent raw materials, hand-crafted production, extreme customization, production adaptability. For us, quality means controlling the design, meeting the demands, surpassing standards.
Modern designs lasting over time.
SHOW ROOM
COMPANY SHOW ROOM
Where the old factory rose, now the best company production is shown.
The show room, redesign by Stefano Cavazzana, is exclusive dedicated to the Zampieri customers and hosts the newest collections.
A new area to show and prove the “high quality” that promotes ideas to plan the exposition with different combinations and technical solutions.
This place will be a “special frame” where the right mood is match with unique pieces.
TEAM
STEFANO CAVAZZANA
Born in Mestre in 1966, he earned a first-class degree in architecture at the Istituto Universitario di Architettura in Venice. In his office in Mestre he deals with architecture, design and corporate graphic art. Special mention Young & Design 1997, 2000 and 2001; special mention 2008 Premio Oderzo for design, special mention I.DOT 2008. In each of his projects, be it design or graphics, he tries to find “the idea” for simple, accessible and durable products, nothing ephemeral or makeshift.
This creed is seen especially in his furniture designs. Since his furniture always responds to the needs of modern living, it is never invasive or loud but functional and elegant. And the designer’s style can always be perceived. Perhaps the most complicated side of the designer’s craft is trying to understand a company in order to foster its progress in terms of image and product. This is done by thinking not exclusively about the object in question, but about the style and overall identity the company has or must have. In his opinion, a project must be considered in all its many aspects, as a whole, in order to make a firm successful.
PIERANGELO SCIUTO
Pierangelo Sciuto carries out his activities in Brescia, where he was born in 1961. He graduated from the Polytechnic Institute of Milan in Architectural Planning. In 1988 he established the firm “Sciuto Design”, with the intent to create a meeting place for professionals from a variety of backgrounds in order to allow them to compare experiences and fi nd new sources of inspiration in their search for innovative trends. Pierangelo Sciuto is the director of this laboratory of ideas, and with his range of professional experiences, from industrial design to private construction and development, he is on a quest to fi nd new trends not only in the fi eld of design, but also in the way these trends are communicated, which is an integral part of his original idea.
Since the mid 1990s, he has been a promoter of a technological and innovative architecture for both the use of materials and the types of solutions offered. In the late 1990s he defi ned a trend that became known as poly-sensorial architecture, which involves the quest for a perfect sensorial stimulus as a primary design concept. Since 1994 he has worked as Artistic Director for a number of major companies in the furniture industry, providing consulting services and designing their product collections as well.
